Suspiria vs Suspiria

When you dance a dance of another, you make yourself in the image of its creator.

Words of guidance uttered by Madame Blanc to Suzie Bannon, which I hope Luca Guadagnino intentionally included as the perfect tongue-in-cheek nod in his homage to Dario Argento’s (1977) Suspiria. Guadagnino made his stab at the cult horror classic after his Oscar winning triumph; Call Me By Your Name, so not only did he make quite a surprising shift of genre, but he took a risk in his choice of film to “remake”; Argento’s Suspiria is synonymous with 1970’s Italian Horror and quickly became a cult classic for any cinephile worth their salt. If someone were to mention to me that they had not seen it, I would gleefully take the chance to scathingly inform said individual that they should of course watch it, while adopting the appropriately patronising tone. But having said that, if you actually haven’t seen the original, cancel tonight’s plans, close the blinds, screw in the red lightbulb, get into that taxi, and prepare for a surreal journey like no other. I give away no spoilers in this review, so it’s safe to read on….

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